Saturday night (last night) was pretty entertaining. Met up with Aaron Lewis , singer of Staind who is by FAR the Dot Bots favorite client. He gets a massage pretty much every single day of every tour he does and he LOVES our massage team (the feeling is mutual). He is super generous, funny as hell and a good challenge (he expects EXTREME deep tissue, like no other!). Anyways, Aaron had his two hour massage then we went over to the Franz Club where the Eagles of Death Metal were playing.
I have not been to the Franz Club for years, so when we (Aaron and I) got out of the taxi, I asked the very first people I could "which way exactly is the Franz club?" – but I said it in German as it IS Berlin. The guy, looked at me like I was nuts and I said it again in English- and added we are looking for the backstage door to the Eagles of Death Metal. He said "WE ARE the Eagles of Death Metal" ha ha. I didn't recognize the singer, Jesse Hughs, as his hair is longer now..There was a video camera rolling the whole time, but I wasn't sure why- there was a massive soccer game tonight so I just assumed it was the local news, but it was a tv crew following the singer and drummer of the Eagles of Death Metal around outside for some reason, lol. So, I say "I am Dr. Dot and this is Aaron" and he said "I know who you are" and then he shook hands with Aaron and gave me a hug. I was perplexed as I had never met him before and he could not see my Dr. Dot shirt under the umteen sweaters I had on – eh? Guess he knows the Dr. Dot massage team and assumed I was just one of the Dot Bots lol. ANYHOW we all went backstage and had a BLAST.
Jesse, Aaron and Eagles of Death Metal drummer, Joey Castillo ^ who also plays with Queens of the Stone Age
Guitarist of Eagles of Death Metal, Dave Catching ^ was super cool to talk to. He played me some OLD Roxy Music on his iPod and I have to admit, I will be looking it up online and buying it. Sounded great. It was before the Talking Heads had formed and you can tell the Talking Heads must have been heavily influenced by early Roxy Music (the Brian Eno connection going on too)
This was taken months ago ^ just thought I would toss it on here again
We came so early to the Eagles of Death Metal show and Aaron and I both couldn't be bothered to see the opening act, so we booked it to White Trash for some yummy grub and ARROGANT service. The hostess there pretty much SCREAMED at us to get out of the big booth and move to the tiny table Wolfgang the owner reserved for us. JEEEZE. Even Aaron could not believe how fucking bitchy they are there. White Trash is fun and the food is great but they are FAMOUS for snotty fucking service. Not kidding. Their french fries are called "Fuck you fries". lol
Took these pics of Aarons new tatt's while awaiting our grub.
Aaron had his hands tattooed not so long ago ^ looks mad cool.
He told me who certain songs of his are about, he said no one knows except him and his band. Felt privileged to know that inside info. I swore to secrecy, so I will just have to leave it in my will. lol
Ate and ran out of there to make it back in time to the Eagles of Death Metal gig. They still had a half hour before show time, so we had some laughs. Some cute groupies slinked back stage, oooh la la:
Their tour manager, Louie and I go WAY back. I have known him since 1989. He used to tour for YEARS with the Red Hot Chili Peppers. Great to see him again. "Rock and Roll never forgets"
Two minutes before show time. Jesse is pumped up and ready!
Drummer Joey waiting til the very last minute to put sticky tape on his drums sticks so they don't slide out of hands.
"The band's on stage and it's one of those nights, oh yeah The drummer thinks that he is dynamite, oh yeah You lovely ladies in your leather and lace A thousand lips I would love to taste I've got one heart and it hurts like hell If you can't rock me somebody will If you can't rock me somebody will"
The Franz Club was beyond sold out. This was a special record company gig, super hard to get in if you didn't have a hook up. The band sounded fantastic. VERY energetic. Their intro song (before band comes out) was "Ladies Night" super funk!
Well, gotta get to bed, the Staind show is tomorrow at the Columbia Halle, gotta rest up.
Tejano Album: "Before the Next Teardrop Falls," Little Joe & La Familia.
Norteno Album: "Detalles Y Emociones," Los Tigres Del Norte.
Banda Album: "Te Va A Gustar," El Chapo. Traditional Folk Album: "Dirt Farmer," Levon Helm.
Contemporary Folk/Americana Album: "Washington Square Serenade," Steve Earle.
Native American Music Album: "Totemic Flute Chants," Johnny Whitehorse.
Hawaiian Music Album: "Treasures of Hawaiian Slack Key Guitar," Various Artists, Daniel Ho, George Kahumoku Jr., Paul Konwiser & Wayne Wong, producers.
Zydeco or Cajun Music Album: "Live! Worldwide," Terrance Simien & The Zydeco Experience. Reggae: "Mind Control," Stephen Marley.
Traditional World Music Album: "African Spirit," Soweto Gospel Choir. Contemporary World Music Album: "Djin Djin," Angelique Kidjo.
Polka Album: "Come Share the Wine," Jimmy Sturr and His Orchestra.
Gospel Performance: "Blessed & Highly Favored," The Clark Sisters; "Never Gonna Break My Faith," Aretha Franklin & Mary J. Blige (Featuring The Harlem Boys Choir).
(Tie.) Gospel Song: "Blessed & Highly Favored," Karen Clark-Sheard, songwriter (The Clark Sisters).
Rock or Rap Gospel Album: "Before the Daylight's Shot," Ashley Cleveland.
Pop/Contemporary Gospel Album: "A Deeper Level," Israel and New Breed.
Southern, Country or Bluegrass Gospel Album: "Salt of the Earth," Ricky Skaggs & The Whites.
Traditional Gospel Album: "Live — One Last Time," The Clark Sisters.
Contemporary R&B Gospel Album: "Free to Worship," Fred Hammond.
Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media: Love (The Beatles) George Martin & Giles Martin, producers (Apple Records/Capitol Records).
Score Soundtrack Album for Motion Picture, Television or Other Visual Media: "Ratatouille," Michael Giacchino, composer. Song Written for Motion Picture, Television or Other Visual Media: "Love You I Do (From Dreamgirls)," Siedah Garrett & Henry Krieger, songwriters (Jennifer Hudson).
Musical Show Album: "Spring Awakening," Duncan Sheik, producer; Duncan Sheik, composer; Steven Sater, lyricist (Original Broadway Cast With Jonathan Groff, Lea Michele & Others).
Musical Album for Children: "A Green and Red Christmas," The Muppets.
Spoken Word: "The Audacity of Hope: Thoughts on Reclaiming the American Dream," Barack Obama.
Spoken Word Album for Children: "Harry Potter and the Deathly Hallows," Jim Dale.
Comedy Album: "The Distant Future," Flight of the Conchords.
Instrumental Composition: "Cerulean Skies," Maria Schneider, composer (Maria Schneider Orchestra). Instrumental Arrangement: "In a Silent Way," Vince Mendoza, arranger (Joe Zawinul).
Instrumental Arrangement Accompanying Vocalist(s): "I'm Gonna Live Till I Die," John Clayton, arranger (Queen Latifah).
Engineered Album, Non-Classical: "Beauty & Crime," Tchad Blake, Cameron Craig, Emery Dobyns & Jimmy Hogarth, engineers (Suzanne Vega).
Surround Sound: "Love," Paul Hicks, surround mix engineer; Tim Young, surround mastering engineer; George Martin & Giles Martin, surround producers (The Beatles).
Classical Album: "Tower: Made in America," Leonard Slatkin, conductor; Tim Handley, producer; Tim Handley, engineer/mixer (Nashville Symphony).
Orchestral Performance: "Tower: Made in America," Leonard Slatkin, conductor (Nashville Symphony). Producer of the Year, Classical: Judith Sherman.
Engineered Album, Classical: "Grechaninov: Passion Week," John Newton, engineer (Charles Bruffy, Phoenix Bach Choir & Kansas City Chorale).
Opera Recording: "Humperdinck: Hansel & Gretel," Sir Charles Mackerras, conductor; Rebecca Evans, Jane Henschel & Jennifer Larmore; Brian Couzens, producer (Sarah Coppen, Diana Montague & Sarah Tynan; New London Children's Choir; Philharmonia Orchestra).
Choral Performance: "Brahms: Ein Deutsches Requiem," Simon Rattle, conductor; Simon Halsey, chorus master (Thomas Quasthoff & Dorothea Roschmann; Rundfunkchor Berlin; Berliner Philharmoniker).
Chamber Music Performance: "Strange Imaginary Animals," Eighth Blackbird.
Small Ensemble Performance: "Stravinsky: Apollo, Concerto in D; Prokofiev: 20 Visions Fugitives," Yuri Bashmet, conductor; Moscow Soloists. Classical Vocal Performance: "Lorraine Hunt Lieberson Sings Peter Lieberson: Neruda Songs," Lorraine Hunt Lieberson (James Levine; Boston Symphony Orchestra).
Classical Contemporary Composition: "Made in America," Joan Tower (Leonard Slatkin, conductor; Nashville Symphony Orchestra).
Classical Crossover Album: "A Love Supreme: The Legacy of John Coltrane," Turtle Island Quartet.
Short Form Music Video: "God's Gonna Cut You Down," Johnny Cash.
Long Form Music Video: "The Confessions Tour," Madonna.
Recording Package: "Cassadaga," Zachary Nipper, art director (Bright Eyes). Boxed or Special Limited Edition Package: "What It Is!: Funky Soul and Rare Grooves (1967-1977)," Masaki Koike, art director.
Album Notes: "John Work, III: Recording Black Culture," Bruce Nemerov, album notes writer.
Historical Album: "The Live Wire — Woody Guthrie in Performance 1949," Nora Guthrie & Jorge Arevalo Mateus, compilation producers; Jamie Howarth, Steve Rosenthal, Warren Russell-Smith & Dr. Kevin Short, mastering engineers (Woody Guthrie).